a curated
[auto]BIOGRAPHY
JULIÁN
pronounced hoo-lyÁhn
Colombian-born, multiply
neurodivergent artist,
polymath, public scholar,
and culture architect
whose groundbreaking
contributions span three decades
and an extraordinary range of disciplines
+ creative expression.
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Wear your helmet as you proceed through the exhibits. And please, no flash photography. I have sensitive pupils.
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A self-deprecating, flightless bird named Pengüino. He wears glasses instead of contacts. We go on quixotic adventures on horseback through fields of windmills; and the tulips make him laugh, as they, too, have no wings.
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I ordered lemonade.
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but they only dance when I electrocute them.
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to the store.
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Don’t turn them into phantom limbs.
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Many create fictions for what they need. The hearts of some are hollow with sorrow. While others can’t feel anything.
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but haven’t been able to prove it.
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Would you consider me the birth of thought?
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One of the most dangerous situations for humanity, our environments, and all living things is when status quo human frameworks become accepted as the natural order of things.
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than cultural genocide.
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I exist in my own time and space.
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When people fail to embrace imagination, the essence of freedom remains elusive.
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and future humans studying your culture’s artifacts are so bigoted that they assume all of your creations, innovations, and contributions to the world were produced by aliens.
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I know sunrises and sunsets get all the fanfare, but moonrises and moonsets deserve so much more attention and fame than they currently receive.
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Is this why Halloween is on October 31st? Like, that’s the end of their fiscal calendar year and introverted ghosts are trying to reach their quota so it doesn’t affect their annual ghoul performance reviews?
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and reveal truths some facts can’t discover.
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where my peers asked if roads were paved back home in Colombia and if Father was a drug dealer.
This was before I could serenade girls with bad poetry set to Boyz II Men melodies.
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How often do you think about the fact that there are an infinite number of things we’ll never experimentally and experientially know?
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I don't know what that means for the coming year.
About Julián
Julián Esteban Torres López is a Colombian-born, multiply neurodivergent artist, polymath, public scholar, and culture architect whose revolutionary contributions over the last three decades span a remarkable range of disciplines, mediums, and social impact. At the core of his work is a commitment to imagination, liberation, and challenging the boundaries of what is possible in art, culture, and ethics.
Born in Medellín and shaped by the rich interweaving of African, European, and Abya Yala Indigenous lineages, Julián’s journey transcends conventional norms. From academia to activism, art to athletics, he celebrates curiosity as a revolutionary force and embraces storytelling not merely as a tool, but as an essential means of liberation—both a creative act and a transformative end in itself. His work engages deeply with the intersections of culture and justice, aiming to illuminate how cultural systems can both oppress and liberate.
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As an artist, Julián defies categorization. His creations—whether literature, oral storytelling, music, sound design, or visual arts—serve as expressions of his boundless imagination and commitment to pushing the edges of creative innovation. His literary works have garnered significant acclaim, from award-winning short fiction to groundbreaking micro-poetry collections that redefine the boundaries of American poetry. His sound art, including genre-defying concept albums and experimental audio stories, explore the abstract and the intuitive, shaping new sonic and narrative forms.
In his visual art, Julián’s layered digital collages and abstract short films offer a contemplative experience that excavates the complexities of identity, heritage, and liberation. His artistic endeavors also extend to collaborative community projects, including over 150 mural designs across the U.S., commemorating pivotal moments in social justice and public history. Whether on stage, in print, or through digital media, Julián’s artistry is a fearless reclamation of space—an act of creativity that refuses to conform to colonial and imperial paradigms.
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Julián’s polymathic nature is evident in his wide-ranging expertise and achievements. As a public scholar, he bridges the gap between academia and the public sphere, making critical scholarship on decolonialism, human rights, and social justice accessible through journalism, workshops, keynotes, and creative projects. His podcast, The Nasiona, and media appearances further amplify marginalized concerns, contributing to a growing movement of decolonial thought and practice.
Julián’s public scholarship work also includes the rigorous studies of the socio-political dimensions of poetry, Marx's humanism and its limits, critical political economy of development amidst armed conflict, historical dynamics in conflict-affected areas, reversing western colonialism's influence on creative writing, practical frameworks for decolonizing storytelling and the creative process, understanding racism as a technological innovation, ethical dimensions of planetary colonization, the creative costs of "deviance," equitable transformative potential analyses, multiply neurodivergent experiences in the creative arts, and more .
As an academic and mentor, he brings a critical lens to every discipline he engages with, fostering transformative dialogues in institutions and communities alike. His writings, talks, and interviews—taught in universities and archived in prestigious institutions such as the Library of Congress, the Smithsonian’s National Museum of African American History and Culture, the Smithsonian Latino Center, the Fernando González Museum and Archives in Colombia, and The Operating System's Open Resource Library's People's Resistance Resources on Abolition, Antiracism, and Equity for his contributions to indigenizing and decolonizing storytelling—serve as blueprints for reimagining cultural paradigms and challenging entrenched power structures.
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A visionary culture architect, Julián leads transformative initiatives that reshape how organizations, communities, and societies understand and engage with culture. His innovative consulting and leadership in cultural transformation initiatives emphasize the power of storytelling, creativity, and collaboration as tools for organizational and societal change. By amplifying marginalized voices and designing platforms for diverse representation, he redefines what it means to build inclusive, liberated cultural environments.
Through his workshops and strategic consulting, Julián ignites critical dialogue on how we collectively shape cultural norms and practices. His work challenges traditional power structures and offers new models for community-building grounded in empathy, equity, and imagination.
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Julián’s mission is clear: to illuminate the pervasive influence of culture in maintaining societal hegemony while also revealing its potential for liberation. He believes that creativity and liberation are deeply intertwined forces, each unlocking the other’s transformative potential. His work invites audiences and collaborators alike to reconsider freedom and artistic expression beyond the confines of Western colonial frameworks.
In his vision, creativity is not only a path to personal empowerment but a collective force capable of reshaping our world. Julián encourages us all to join him in this journey—to explore the intersections of culture, imagination, and justice, and to participate in the creative liberation of ourselves and our communities. Through storytelling, art, and critical scholarship, he offers a blueprint for a future where creativity is the key to both individual and collective transformation.
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As an explorer of imagination and liberation, Julián’s art is an act of resistance and reclamation. It delves into the complexities of human experience, excavating both the personal and universal layers that shape our collective consciousness. His work celebrates the “irrationality” of dreams and the logic of nightmares, transforming them into powerful symbols of creative potential and cultural critique.
Julián’s creations push against the strictures of colonial and imperial legacies, offering instead an imaginative landscape where unconventional ideas can flourish. His art is a bold statement against the limits imposed by society—an invitation to explore the richness of subjective experience and challenge the norms that seek to confine our understanding of ourselves and our world.